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演唱/Singer：任然 作詞/Lyric by：郭澤林 作曲/Composed by：宇勛 編曲/Arrangement by: Terence Teo 翻译/Translated by: Nlyte Lyrics 原來疲倦 從未離開太遠 yuán lái pí juàn cóng wèi lí kāi tài yuǎn Turns out that tiredness never left too far 想要靠近卻沒起點 xiǎng yào kào jìn què méi qǐ diǎn Want to get close but have no starting point 我的心願 在遇見你以前 wǒ de xīn yuàn zài yù jiàn nǐ yǐ qián My wish that was made before I met you… 可否換來今天擁抱久一點 kě fǒu huàn lái jīn tiān yōng bào jiǔ yī diǎn Is it able to exchange for a hug that last a little longer, today? 人群裡沒有你 被模糊的記憶 rén qún lǐ méi yǒu nǐ bèi mó hú de jì yì You are not in the crowd, shrouded by a blurred memory 潮濕了空氣 原來心痛如此無力 cháo shī le kōng qì yuán lái xīn tòng rú cǐ wú lì The humid air, turned out to be a powerless heartache 我也算勸自己 舍不得而已 wǒ yě suàn quàn zì jǐ shě bú dé ér yǐ I also tried to persuade myself, it’s just me being reluctant 被暫停以後 最怕不經意提起 bèi zàn tíng yǐ hòu zuì pà bú jīng yì tí qǐ Most afraid of being mentioned carelessly, after the break 想忘的徹底 重新拾回自己 xiǎng wàng de chè dǐ zhòng xīn shí huí zì jǐ Want to forget completely, and regain myself 可越努力忘記 怎麼你的微笑越清晰 kě yuè nǔ lì wàng jì zěn me nǐ de wēi xiào yuè qīng xī But the harder to try and forget, the clearer your smile becomes 教給我的勇氣 不是為深夜咬緊自己 jiāo gěi wǒ de yǒng qì bú shì wéi shēn yè yǎo jǐn zì jǐ The courage that was taught to me, is not so that I have to struggle at night 倒退一點 會不會想遇見 dǎo tuì yī diǎn huì bú huì xiǎng yù jiàn If I step back a little, will I want to meet again 被難過連成線 幸福本是碎片 bèi nán guò lián chéng xiàn xìng fú běn shì suì piàn Sadness connected in a line, but happiness are left with fragments 苦笑著發現 竟找不到一人安眠 kǔ xiào zhe fā xiàn jìng zhǎo bú dào yī rén ān mián With a wry smile, unable find sleep by myself 我也算勸自己 說好不提起 wǒ yě suàn quàn zì jǐ shuō hǎo bú tí qǐ I also tried to persuade myself not to mention this 即便再用力 皺褶還深深印記 jí biàn zài yòng lì zhòu zhě hái shēn shēn yìn jì No matter how hard it is, the folds of memories are still deeply engraved 想忘的徹底 重新拾回自己 xiǎng wàng de chè dǐ zhòng xīn shí huí zì jǐ Want to forget completely, and regain myself 可越努力忘記 怎麼你的微笑越清晰 kě yuè nǔ lì wàng jì zěn me nǐ de wēi xiào yuè qīng xī But the harder to try and forget, the clearer your smile becomes 教給我的勇氣 不是為深夜咬緊自己 jiāo gěi wǒ de yǒng qì bú shì wéi shēn yè yǎo jǐn zì jǐ The courage that was taught to me, is not so that I have to struggle at night 倒退一點 會不會想遇見 dǎo tuì yī diǎn huì bú huì xiǎng yù jiàn If I step back a little, will I want to meet again 想忘的徹底 重新拾回自己 xiǎng wàng de chè dǐ zhòng xīn shí huí zì jǐ Want to forget completely, and regain myself 可越努力忘記 怎麼你的微笑越清晰 kě yuè nǔ lì wàng jì zěn me nǐ de wēi xiào yuè qīng xī But the harder to try and forget, the clearer your smile becomes 教給我的勇氣 不是為深夜咬緊自己 jiāo gěi wǒ de yǒng qì bú shì wéi shēn yè yǎo jǐn zì jǐ The courage that was taught to me, is not so that I have to struggle at night 倒退一點 會不會想遇見 dǎo tuì yī diǎn huì bú huì xiǎng yù jiàn If I step back a little, will I want to meet again 倒退一點 會不會想遇見 dǎo tuì yī diǎn huì bú huì xiǎng yù jiàn If I step back a little, will I want to meet again #任然 #心願 #抖音 #Cpop #english #translation #engsub ※該歌曲版權為歌手本人及其音樂公司所有 ※如版權方認為該影片有侵權，請與我聯絡，將徹底刪除影片。 ※輔助圖像版權歸於原作者所有。
🤍 Tl;dr: Assuming immense popularity of rollups, how will the PBS market on Ethereum interact with rollups while maintaining cross-domain stability? Can PBS fit into layer 2's sequencer decentralization scheme?
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Xinyuan Wang performs in the SECOND ROUND of the 2018 Leeds International Piano Competition: Robert Schumann - Humoreske, Op. 20 Béla Bartók - Piano Sonata, Sz. 80
Tâm nguyện của sao (Xing yu xin yuan) - Trương Bá Chi Fly me to Polaris OST
On July 19, 2020, pianist Xinyuan Wang performed exclusively on QChamberStream.com live from the Meininger Staatstheater, a program which included Schumann's Piano Sonata No. 1 in F-Sharp Minor, Op. 11. The performance, which is available worldwide on streaming platform QChamberStream.com, includes works by Schumann, Mendelssohn, Kurtág, and Mozart. Xinyuan Wang is the 2018 Bronze Medal and Audience prize winner of the Leeds International Piano Competition. QChamberStream is a partnership between Dorn Music and Bernhard Fleischer Moving Images, GmbH Project Idea and Execution: Tanja Dorn & Bernhard Fleischer Execution: 🤍dornmusic.com Film Producer: 🤍bfmi.at Streaming on: 🤍qchamberstream.com in Cooperation with: 🤍meininger-staatstheater.de
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Berlinale Forum Selection Committee member James Lattimer met with Zheng Lu Xinyuan, director of "Jet Lag". Screening in the 2022 Berlinale Forum programme. About the film: This strikingly personal essay film shot on ravishing DV moves between different times and places with a perambulating logic: a travelogue of quarantine and leisure that draws lines between Graz, China and Myanmar as well as love, family and politics. Illuminated with ARRI Orbiter SUBSCRIBE TO OUR BERLINALE CHANNEL HERE ► 🤍 CHECK OUT ► Instagram: 🤍 ► Facebook: 🤍 ► Twitter: 🤍 ► LinkedIn: 🤍 ► Website: 🤍 ► Newsletter: 🤍 #Berlinale #ZhengLuXinyuan #ARRIOrbiter
Xinyuan Wang talks about how she carried out research about the use of smartphones and ageing in Shanghai. Viewers are also introduced to some of her research participants. Our project studied the use of smartphones among older people in 9 countries. 11 researchers each spent 16 months in a different fieldsite in order to conduct a comparative analysis of the impact of the smartphone on the experience of mid-life (people who do not consider themselves either young or elderly) around the world. For more details of our project, follow our social media channels (linked in our channel banner) or go to our website at: 🤍 Our findings will also be detailed in a series of open-access downloadable books coming out on the 6th of May via UCL Press. These can be found here: 🤍
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Song : Xin Yuan Yang Hu Die Meng 新鴛鴦蝴蝶夢 (新鸳鸯蝴蝶梦) Artist : Huang An 黃安 (黄安) Language : Mandarin 漢語 (汉语) Romanisation : Pinyin 拼音
🤍 EAFFI presents Jet Lag at IFI, in-person screening 4pm Sunday 3rd April Directed by Zheng Lu Xinyuan To mark the screening of Jet Lag at EAFFI 2022, this cinema presentation at IFI will begin with an in-person introduction by aemi. Additionally, a pre-recorded Q&A between Jet Lag's director Zheng Lu Xinyuan and aemi co-directors Alice Butler & Daniel Fitzpatrick will be available online on EAFFI's website from 31 March Jet Lag Chinese director Zheng Lu Xinyuan (The Cloud in her Room, EAFFI 2021) experiments with fragmented form and narrative. Shot in the midst of lockdown she combines family stories with moments of travel and displacement across continents in this personal cinematic essay shot on video in black and white. Her unique eye captures strong poetic and texturally rich images and isolated fragments of time, slowly inducing a palpable sensation of being displaced and in a state of flux. Forum Section, Berlin International Film Festival 2022 - Notes by Marie-Pierre Richard "Spring 2018, Grandma and our family were invited to Mandalay to attend a distant relative’s wedding. In between the banquet and sightseeing, Grandma was eager to find out more about her missing father, who left China when she was five, becoming a Monk in later life. After multiple flight cancellations, my girlfriend Zoe and I made our way back home. We visited Grandma together. I came to realise that Grandma, Zoe and I were all experiencing an absence of fatherhood for different reasons. In February 2021, a military coup took place in Myanmar. All of a sudden, Myanmar again became a place that is so close and at the same time so far away." – Zheng Lu Xinyuan Jet Lag is screening as part of the 6th East Asia Film Festival Ireland, 31 March - 3 April 2022
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Xinyuan Wang: 23 years old, China - 🤍 For the first issue of The Leeds Journal we meet Artistic Director Adam Gatehouse and Host Petroc Trelawny who present The Leeds - their excitement, the coverage and the challenges of the "One of the world's greatest piano competitions"! Don't miss the competition at: 🤍 Follow medici.tv on: | Facebook : 🤍 | Twitter : 🤍 | Instagram : 🤍 Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 150+ live webcasts each year and 2600+ videos. A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
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Dr Xinyuan Wang (UCL Anthropology) talks about UCL Press scholarly monographs online.
Xinyuan Wang: 23 years old, China - 🤍 Don't miss the final ceremony: 🤍 Don't miss the competition at: 🤍 Follow medici.tv on: | Facebook : 🤍 | Twitter : 🤍 | Instagram : 🤍 Dive into the heart of classical music with medici.tv! Get closer than ever to the artists you love and have an unforgettable experience with 150+ live webcasts each year and 2600+ videos. A rare and exclusive selection of concerts, ballets, operas, documentaries, master classes, behind-the-scenes and interviews!
Xinyuan Wang is one of the twenty-four competitors competing in the Second Round of the 2018 Leeds International Piano Competition.
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Interview with director Zheng Lu Xinyuan about her film JET LAG Switzerland, Austria, 2022, 111´ One journey begins in Graz, in April 2020, the director’s trip back to China in the midst of the lockdown: flight connections on a cracked phone screen, hazmat suits on the aeroplane, tape sealing the hotel room door. But it also intermingles with another, earlier journey from the start, the family trip from China to Myanmar to find out what happened to great-grandfather, who left in the 1940s and never came back; his daughter, the grandmother, is still moved by his absence, just as the director is moved by her in turn. The director films both trips and everything around them too, that’s why it’s so hard to keep things apart, always the same fascination for patterns and textures, the same grainy video in black and white, the same eye for unlikely beauty, the same unflinching gaze. The true meaning of family is so very elusive, for the director, for her grandmother, for her girlfriend and their social group too; as they converse in Mandarin and English, there is love and solidarity, but also pain. The girlfriend comments that there’s no main character in the film, but how could there be? Mind in one place, body still in another, jet lag is the ultimate decentred state. deutsch Eine der Reisen beginnt in Graz, im April 2020, mitten im Lockdown fliegt die Regisseurin zurück nach China: Flugverbindungen auf einem kaputten Handydisplay, Schutzanzüge an Bord, mit Klebeband versiegelte Hotelzimmertüren. Die Gegenwart verbindet sich von Anfang an mit der Vergangenheit, einer Reise der Familie von China nach Myanmar. Was ist mit dem Urgroßvater geschehen, der in den 40er Jahren dort hingefahren und nie zurückgekommen ist? Sein Verschwinden bewegt seine Tochter, die Großmutter der Regisseurin, noch immer. Die Regisseurin filmt beide Reisen und alles, was sie umgibt, es ist schwer, die Dinge auseinanderzuhalten. Stets diese Faszination für Muster, Texturen, stets dieses körnige Video in Schwarz-Weiß, dieser Sinn für die Schönheit des Ungewöhnlichen, dieser unerschrockene Blick. Es ist schwer zu fassen, was Familie bedeutet, für die Großmutter, die Regisseurin, ihre Freundin und deren soziales Umfeld. Man unterhält sich, auf Mandarin und Englisch, voller Liebe, Solidarität, auch Schmerz. Die Freundin stellt fest, es gebe in dem Film keine Hauptfigur, aber wie auch? Die Seele ist an einem Ort, der Körper noch an einem anderen, Jetlag bedeutet den Verlust der Mitte. blog.teddyaward.tv #teddyaward
China's 'It' Girl XINYUAN ZHANG(张辛苑) Enchanted in Paris Fashion Week with ELLE
Zheng Lu Xinyuan's The Cloud In Her Room is an official selection at the 49th New Directors/New Films. Get tickets: 🤍 Winner of the top prize at this year’s International Film Festival Rotterdam, this mesmerizing debut feature from Chinese filmmaker Zheng Lu Xinyuan is an autobiographically tinged portrait of 22-year-old Muzi (Jin Jing), a young woman drifting through her days and nights after returning to her hometown to celebrate the New Year with her parents, and unable to let go of her past. With gorgeously monochrome photography, the director finds seemingly endless new ways to capture the dawns and twilights, the familiar pleasures and urban estrangement of the city of Hangzhou, where the director is from. Alternating between realist conversations between Muzi, family, and lovers; dreamlike interludes; and intermittent documentary sequences with local young people who are floating through their own discombobulating twenties, The Cloud in Her Room is an expressive depiction of the feeling of being transitory in one’s time and place. More info: 🤍 Subscribe: 🤍 Like on Facebook: 🤍 Follow on Twitter: 🤍 Follow on Instagram: 🤍
Everything about Kong Xinyuan, her voice lines, stories, her costumes, etc. 5/5 Link Stories On October 27th, during the annual Feast of the Great Sage, Kong Xinyuan was betrayed by the other disciples. Fleeing in the night, she painfully dragged her body out into the raging snow. It was another October 27th, the Feast of the Great Sage. All the elites of the martial world had gathered to celebrate and bear witness to the coronation of the new leader of the sect. As the rites reached their climax and the statue of the Great Sage was brought out, Kong Xinyuan returned, emerging from the blizzard outside! One year ago, she was betrayed, and her meridians were all cut short. During that year, she hid herself away in her rage, slowly nursing herself for the day of revenge. One year later, she burst her meridians and unleashed her full potential, exhausting all her energy so that she had but one day left to live. This was to be her final battle! On that day, the heat of fresh corpses and blood melted snow into water before it could even touch the ground! Wracked by wounds both old and new, Kong Xinyuan picked up the stone staff from the statue. The battle wasn't over, but just before she could resume her killing, she suddenly seemed to become another person to fight against spirits and demons; to have the ultimate showdown with the fierce monkey king! "Do you crave such a battle as this?" "Bring it on!"
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